YOU DO THE CRIME, YOU DO THE TIME

Exhibition at the Whitney Museum

You Do the Crime, You Do the Time was a title given by Carlos “Charlie” Suarez, President of the Ghetto Brothers. This was a series of tapes, two hours of which have been shown internationally, that were presented at the Whitney Museum in New York.

This exhibition is dedicated to La Mama, for I will never forget what she did for me.

“Archivist of the South Bronx” by Ianthe Thomas in La Revue

Melvin Van Peebles, filmmaker, Ted Hayes, Nathaniel Hulmes and Pearl (president of THE ROMAN KINGS).

This collection includes 181 video reels shot between 1971 and 1978 by Martine Barrat. The footage was shot in black and white and with mono audio on open half-inch reels using a Sony Portapak video recorder. There are approximately thirty minutes of footage on the majority of the reels.

Although small portion of the material (about six reels) was shot in Paris, the great majority was shot in New York City, mainly in the South Bronx and on the Lower East Side of Manhattan. There is extensive and extraordinary footage of the devastated neighborhoods that pockmarked the South Bronx in the 1970s, including gaping abandoned buildings and desolate fields of rubble and debris.

The collection is especially valuable because of Barrat’s efforts to capture the lives and voices of inhabitants of these neighborhoods, especially young black and Latino men and women. There is a good deal of unique documentation of youth gangs in the South Bronx, especially THE ROMAN KINGS and QUEENS, the Savage Nomads, and participants in the federally financed Será anti-poverty program. Barrat not only interviewed gang members but also collaborated with them, allowing them to make their own films, some of which are included in this collection. A small portion of the material gathered here (including the films Vickie and The Trial) was used in the 1978 video and photo exhibition You Do the Crime, You Do the Time at the Whitney Museum of American Art in New York. Segments of the exhibition, along with an interview with Barrat, were featured on the nationally broadcast NBC television special, “Violence in America.” The video was also broadcast in its entirety in Italy, where it received an award for best documentary in Milan.

The reels filmed on the Lower East Side of Manhattan are equally remarkable. In late 1973, Barrat and jazz drummer Charles “Bobo” Shaw opened the La Mama Children’s Workshop at 236 East Third Street, where during the following two years they organized free classes in music, dance, and visual art for neighborhood children. The collection includes footage not only of some of the workshops, but also of concerts in some of the legendary musician-run spaces then flourishing in lower Manhattan. The most valuable may be the rare 1976 footage of an entire concert by a group led by saxophonist Dewey Redman at Sam River’s Studio Rivbea at 24 Bond Street. There are also nearly three hours of footage of a rehearsal by the well-known funk group Kool and the Gang.

As a whole, the Martine Barrat video collection offers an unparalleled vision of the vibrancy and resilience of the arts and everyday life in New York during the mid-1970s.

- Brent Hayes Edwards

With great film maker Melvin Van Peebles

Visiting a friend gang member in prison, Nolan Holmes

Introduction composed by Charlie Suarez, President of the Ghetto Brothers written to the president of the Whitney Museum. The president never replied…

 

A painting by a member of the Roman Kings that was displayed on the wall of the exhibition. The people at the Whitney very much enjoyed it.

The South Bronx Dictionary and Guide, along with texts, were written by Carlos Suarez, president of the Ghetto Brothers. It was displayed vertically, large-scale printed, in one piece that ran from the ceiling to the floor. So many people were studying the words. Among the people, the Italian Vogue journalist was learning seriously and had all of the gang members behind her, so very surprised and happy to see her wanting to learn a new language.

PART 1: THE PRESIDENT OF THE ROMAN QUEENS

In 1972 in the South Bronx, Vickie Alvarez, president of a gang of girls —THE ROMAN QUEENS— had just turned seventeen. She had two little girls, Jennifer and Liberty, and they lived at her mother’s in a low-income project on Prospect Avenue with her brothers. They called that part of the South Bronx, Korea.

Ten people lived in that three bedroom apartment: Vickie, Jennifer, Liberty, Arnie, Dino, Ace, Anthony, Joseph, Victor, and Benny, and all their friends that had nowhere to sleep.

Arnie, their mother, went to bed early. She had to be up at five a.m. to go to work in a small garment factory. The guys were awake in the living room. They didn’t go to sleep until really late at night and they never woke up before early afternoon.

Vickie and I were lying on her bed. The full moon and the falling snow made the night very magical and silent. I loved the snow in the South Bronx; it was so high, it would cover everything. Piles of garbage would become little mountains. Icy broken windows in abandoned buildings became twinkling stars. A ghost lang. Was it real or only an illusion? One could listen to the silence and dream.

At four in the morning, Vickie wanted to make a tape. Angie, one of THE ROMAN KINGS, wanted to be the cameraman. He was fourteen. All I told him was to breathe and listen to Vickie with the lens in closeup. He did a great job and was so proud. I’ll never forget that very intense moment, feeling so open to each other. Vickie was full of life, loved and respected by all the members of THE ROMAN QUEENS and THE ROMAN KINGS. She was so dear to my heart.

When the show, You Do the Crime, You Do the Time opened at the Whitney Museum, more than 2,000 people came to see it. The gang members came flying their colors. They took turns coming every day to answer the public’s questions after seeing the films. Vickie stayed outside. She wouldn’t come in. She couldn’t believe all the people that came. “I never thought so many people could listen to me.”

At the age of twenty-six, in 1986, Vickie died of AIDs after long suffering. Four of her brothers were murdered (Dino, Ace, Anthony, Joseph); another, Victor, died of AIDs. Benny, the only brother still living, is in jail.

Arine, their mother, keeps all their ashes close to her, next to the television. She survives on tranquilizers.

March 1990

The image above is of Vickie’s husband, Baba.

Martine, Vickie’s mother Arnie Alvarez, her husband and her sister in law.

Vickie and family, Carlos Suarez, Dr Jose XX and family.

 Martine with the gangs, working together. Photos by Hèlio Oiticica.

He is the only one who came with me to the South Bronx to meet my friends the gang member, and he became very good friend with Carlos Suarez, president of the Ghetto Brothers.

Excerpt from “You Do The Crime, You Do The Time” Part I: VICKIE, PRESIDENT OF THE ROMAN QUEENS

I encouraged members of the gangs to use the video camera to sketch the reality of their lives and relationships with one another and with the outside world. The camera in their hands is often a blunt instrument, but it seems to have a unique power to express the truth of their lives as they see them.

This video was shown Primetime on Italian Television TG2.

Read pages 22-47 of the #9 Athropologismes by Afrikadaa on my work for You Do the Crime, You Do the Time.

“Le neuvième numéro d'AFRIKADAA propose une réflexion sur les "Anthropologismes", et explore les relations entre art et anthropologie. A quelles hybridations donnent-elles lieu ? Les artistes et les chercheurs nous apportent leurs réponses, aussi diverses que les liens art-anthropologie sont complexes. Les artistes sont-ils, à l'instar de Martine Barrat ou Omar Victor Diop, les nouveaux anthropologistes?”

Pearl of The Roman Kings, 30 years after the exhibition, lying on the bed with his elbow on a screen showing an image of his younger self attending a trial of the gang. He is wearing the same style of hat in both images.

“The video work differs in several crucial respects from the typical television approach to documentary. The decision to show two complete tapes rather than a compilation from many tapes was based on a belief that what is remarkable about the material emerges most forcefully from seeing individual tapes in their entirety.”

- Mark Segal

“The use of unedited tape, honest dialogue, and the dual nature of the subjects and the photographers set this artistic venture apart from even ‘cinema vérité,’ which clearly distinguishes between crew and subject. By allowing the gang members to film themselves according to their own perspective, Ms. Barrat has given us a painful glimpse of the casualties from the battleground known as the South Bronx.”

- Angel Larriuz

Pearl the president of the Roman King, the day he came out of Jail. He is still my dear precious friend